Monthly Archives: January 2010

The Brick Wall

Rejection: running into it stings at first.  It’s the brick wall that’s a foot thick, impossible to demolish or climb, but there could be ways to get around it.  If only I could read the clues….  I received the results of one of the contests I submitted The Shadow to last fall.   It did not even make the finalists.  Sad.  Well, there’s still a chance with the two others…..

Last Friday, I mailed out the science fiction short story I completed recently.  The publication promises an answer in eight weeks. 

This Friday, I’ll submit an essay to another publication. 

The job search steals time away from writing…..eeeeerrrrrrggggggghhhhh!

The Past in “Battlestar Galactica”

(For BG fans who have not yet viewed the final season, I do NOT reveal how the series ends in this post.)

My scientist friend suggested at the end of last year that I might enjoy the science fiction cable TV show Battlestar Galactica.  I don’t subscribe to cable but by that time, the first three seasons were out on DVD, so I began at the beginning with season one.  Earlier this month, I put off watching the series finale for a week because I really didn’t want the series or my experience of watching it to end (even though I knew the finale had aired long ago).  I don’t recall ever being a huge fan of the original TV series, but I am of the new one.  I was riveted, watching for clues for how it would end.  The “clue” that interested me the most was when the Cylon hybrids said, “This has happened before and will happen again.”  Or something like that.

The past as the future as the past.  For example, Star Wars occurred “long, long ago in a galaxy far away.”  With BG, I half-expected a twist in the final episodes that revealed the timing of the story wasn’t the past but a simultaneous present, and they would discover this as a result of a singularity or something.  Starbuck or Apollo or Baltar would find themselves suddenly on a street in downtown Los Angeles.  Simultaneous time and alternate realities fascinate me, but apparently not the writers and producers of BG.  I suspect they wanted to explore a creation myth.

Science fiction often is used to address issues occurring in the present, most often set in the far future.  To set a science fiction story in a past time usually means the story grapples in some way with a creation, i.e. creation of a species, a society, a world, etc.  In Star Wars, viewers witnessed a family saga set against intergalactic conflict with overtones of spirituality, how they went from one type of civilization to another, and the worlds they found along the way.  In BG, viewers witnessed a creation myth with a heavy emphasis on religious belief.  It was also an intergalactic quest.  I especially admired that the writers/producers left more questions unanswered than answered, giving this series a highly provocative final season. 

Another element I especially liked about this show was the gritty, beat-up appearance of the sets — things appeared to be used — and the absence of a lot of high-tech gadgets.  Here is a civilization that knows how to “jump” from one point to another in space, but still uses paper for notes and clunky telephones for communication.  And they developed artificial intelligence that evolved.  I loved the main conflict between the humans and Cylons, a polytheistic civilization vs. a monotheistic one, the creators vs. the created.  And in almost every episode, there is an echo to our own planet, our own civilization, linking us to them.

The future in Perceval is in the near, not the far, future and I have chosen not to make it high tech or populated by extraterrestrials.  Rather than science fiction of the past, I’ve written a future historical.  Science fiction inspires me, fuels my imagination, and takes me to into dreams….

The Three P’s

Just what I needed right now: a pep talk via an article entitled “Don’t be afraid of striking out” by Robert Dugoni in the February 2010 issue of The Writer.  The relevant quote for me:

“Writing is also a profession of failure.  Rejection is, at some level, inevitable.  As writers, we can’t become paralyzed at the thought of rejection.  We can’t fear it, or seek to avoid it.  Rather, we must confront it head on, charge into it with reckless abandon.”

Rejection and failure are facts of life.  They make acceptance and success all the sweeter.  But dealing with them is harder in some ways than dealing with acceptance and success (which have their own issues at times).  Dugoni suggests looking at rejection and failure as a baseball player looks at striking out.  One must try in order to have a chance to succeed.  Try to hit the ball.  Dugoni writes on to say that writers need to learn and practice the three P’s as they try for acceptance and success: patience, perseverance and persistence. 

Learning to deal with rejection and failure must have been my karma from a past life and that’s the reason my life’s purpose, my soul’s desire, my bliss, is to write stories, to tell stories to other people.  To be a writer.  I cannot imagine being even remotely happy doing anything else.  However, humans are capable of doing many things, and I’m thankful that I can also do things that will earn the money I need to pay the bills.  I still need to practice the three P’s.

Patience.  Sometimes I may be too patient.  I waited far too long for the agent, to whom I sent the complete manuscript of Perceval, to read my novel and respond back.  Lesson learned: set boundaries.  The agent apparently thought he had no deadline and then clearly forgot he even had the manuscript.  So, it’s perfectly OK to tell an agent or editor that they have a specific amount of time in which to read my submission and respond. 

Patience: I think back to when I first hunkered down in my apartment to write short stories.  I thought I was a brilliant writer and it would be a piece of cake to get published.  That was 1983.  I’ve seen a lot of rejections since then, been struck by various realizations that I was not a brilliant writer and I had (have) a lot to learn.  But I continued to write, because I had to write.  I believed my time would come, I only needed to be patient.

Perseverance seems to be the easy one for me.  I don’t even think about it.  Persistence on the other hand is to persevere again and again, doggedly, stubbornly, to stand firm in one’s resolve.  I must write so perseverance comes easily, but must I submit my stories and essays in order to be a writer?  If publication is the goal, yes.  If sharing my stories is the goal, yes.  I must persist in submitting my writing, in working toward my goals for my writing.  I must persist in my perseverance as a writer.  Persistence, as Dugoni describes it succintly, is to be a bulldog. 

Woof, woof.  This past week, a nagging tug from my imagination regarding the first chapter of Perceval.  The tug wants me to begin that chapter in a different place.  To return to the first novel and make it better.  Suddenly, I’ve rejected the current manuscript of the novel myself.  My imagination pushes me forward, to open a new file in Word, to haul out the paper copy and begin reading with a red pen…..

“Fantasy and Science Fiction” Magazine

Last fall, as I researched markets for a science fiction short story I’d written, I landed at the Fantasy and Science Fiction magazine website.  The editor, Gordon Van Gelder, offered a free copy to anyone willing to read it and write about it at their blog.  I signed up immediately.  My free magazine arrived in my mailbox a couple weeks later, just as my medical issues reached a crisis.  I had to postpone reading it until I was home again.  And I have savored it with great pleasure.

As the title suggests, the magazine offers a mixture of fantasy and science fiction, novelettes and short stories, with columns on books and movies.  I was somewhat surprised by the gentleness of the fiction.  I don’t know why I was expecting more muscular, bloody action, unless I’ve become inured to it through contemporary culture.  The surprise was welcome and refreshing.  This fiction demands thought from the reader, explores different dimensions (and Hell) as well as our very own terra firma, riffs off established ideas and gives the reader new ones. 

Out of a superb collection, here are my favorites:

The Blight Family Singers by Kit Reed: this story of a past-its-prime singing family at a college campus to perform in the dead of winter was hilarious. 

Inside Time by Tim Sullivan: this novelette starts out rather benign as Herel Jablov arrives at a time station and meets Mae, the only other inhabitant.  The time station is located in a knot of time, and he’s been picked up because he failed to return to his original time from the future.  Hmmmm….  Things start to get really tense when a second man, Conway, arrives with ideas to shake up their quiet life.  Herel waits for the ship to come to return him to his original time while Conway puts the moves on Mae.  Herel’s not pleased about that and his choice of action determines his fate. 

I Needs Must Part, The Policeman Said by Richard Bowes: the narrator of this story ends up in the hospital with an intestinal obstruction that requires surgery.  In addition to nurses, orderlies and doctors, he meets Sister Immaculata and McGittrick.  He thinks they are morphine-generated hallucinations until one nurse confirms for him that they do, in fact, exist.  Both are after his soul.  I loved this story, but I was glad I hadn’t read it during my recent hospitalization.

I recommend Fantasy and Science Fiction Magazine to anyone who enjoys fantasy and science fiction stories written with daring and original ideas in well-crafted prose.  Thank you, Gordon Van Gelder, for the free issue.  I’ve already sent in my subscription…..