I’m Late, I’m Late, for a very important….

Cyberspace and the digital world conjure for me the White Rabbit in Alice in Wonderland and the rabbit hole.  I feel all too often that something I’ve sent off via the internet disappears into a rabbit hole to arrive not at the intended destination but some alien world across the galaxy from us.  I fear that the same could happen to intellectual property rights when dealing with digital or online formats. 

Recently, my scientist friend and I were talking about the Shostakovich 5th Symphony, specifically a performance by the Minnesota Orchestra conducted by Osmo Vanska that I heard in concert several years ago.  I wanted her to hear it and suggested she check out the Minnesota Orchestra’s broadcast concert archive at Minnesota Public Radio’s website.  But the concert wasn’t there!  I felt like I’d dropped suddenly down the rabbit hole because I’d perused that archive in the past.  Where had it gone?  A very helpful fellow answered my query, telling me that they no longer offered those concerts online due to rights issues. 

As a music-lover, I was not pleased by this.  But as a writer who owns intellectual property, I understood the broad issue.  Musicians, like writers, create a product, and like anyone who makes something to sell, they want to be paid for it.  In the realm of books, we now have e-rights for e-readers or other electronic formats that can be licensed to those who produce the e-readers.  At the moment, publishers are processing this fact, revising their boilerplate publishing contracts in order to clarify who owns the e-rights and for how long.  No writer should give these rights away (or any other rights, for that matter), and allowing someone to license the e-rights “forever” or some equivalent would be giving those rights away. 

Kindle, Sony’s e-reader, and other devices recently introduced to the reading public mean that the future is here now.  But what does that mean?  To me, it means only that readers have another way in which to experience stories.  They can read the words on paper in books, listen to them on CDs, or download them from the internet stores to read on their digital device.  It means that writers own another set of intellectual property rights for which they need to be paid, as they are for printed books and audiobooks. 

I’ve seen people on city buses with Kindles.  In sunlight, the screens are difficult to see, at least from my vantage point looking over a bus rider’s shoulder to peek at what he was reading.  It reminded me of the electronic readers in the Star Trek universe, specifically Star Trek: The Next Generation.   In Evan Quinn’s world, only 40 years in the future, people have the choice of how to read their books and magazines, just as we have today.  What enchants Evan, however, are “real” books.  He loves the smell of them.

Perhaps those Minnesota Orchestra concerts will remain archived but unavailable online, but that’s OK.  I think dealing with not having something at one’s fingertips, with not getting instant gratification could be a good thing….

That All-Important Relationship

Back in the day (ahem), editors edited.  They guided writers, taught them about language and grammar, illuminated narrative structure for them.  The best and wisest understood that the novel was the author’s not theirs and never tried to impose their suggestions for changes on the writing.  They were the pair of eyes a writer sorely needed to gain objectivity about what they’d written.  Those eyes needed a sharp but compassionate intelligence behind them, with a broad canvas of experience and knowledge.  Such editors still exist, but more and more, the most recent generation of editors do very little actual editing, from what I’ve heard from other writers and from editors themselves in published interviews.  The newest incarnation of the old-fashioned editor is the freelance editor.

Magazine editors are a different creature entirely.  The basics are the same, but the format is shorter, and the turnaround time faster.  A really good editor responds with specifics of what he/she needs; and while working with a writer on a piece, makes specific suggestions, focusing in on the parts that need work and those that please the editor.  I’ve learned a lot from good editors.  I really enjoy working with them.  The best respect my writing, my efforts, my time and intelligence, as I respect them.  They are not adversaries but allies in the process of publication. 

How I wish every editor out there were good!  But there is a range, as in any business, of intelligence, competence and ability to communicate to writers what they need from them.  There is a range of writers of intelligence and competence, too, but I want to focus on the editor here because more often than not, the focus is on the writer: how a writer needs to work with an editor. 

What to do when you encounter a less than stellar editor?  The first thing I ask myself is: how badly do I want this gig?  Sometimes, publication in the magazine is worth the aggravation of working with a less than stellar editor, depending on which magazine.  Sometimes, not.  The second thing: How much will I be paid?  The money better be good.  If not, I would respectfully take my leave.  Working with a difficult editor takes patience, clarity of your communication, and fearless but respectful questioning.  Beyond a certain point, vague feedback, changes without substantiation regarding the editor’s thinking specific to a sentence or paragraph, or lack of clarity in communication can frustrate me beyond words, especially when the editor becomes frustrated with me because I’m not getting what he/she has said.  But I’ve never walked out on a commitment.  I do the best I can and chalk it up to my continuing education.  Sometimes it’s a genuine relief if the editor kills the piece.

Most editors know what they’re doing, what they want and are able to communicate it well.  In the all-important working relationship between editor and writer, the editor has a responsibility to the writer as well as vice versa.  We just don’t hear about it as much as what the writer’s responsibility is toward the editor.  Both must want to forge the best possible writing between them…..

Contest Submissions

This week, I’ve worked hard to prepare the standalone novel excerpt, The Shadow, to submit to contests.  Success!  I submitted it to the Black Warrior Review Fiction Contest on Wednesday via Manuscripthub.com (as directed), making that deadline.  Today, I mail it out to two other contests, one at the Indiana Review and the other at Dogwood at Fairfield University in Connecticut, making those deadlines. 

Back to work on essays and short stories — more new ideas for essays this week…..

Two Years and Counting

Two years ago at this time, I had chosen which blogging site I wanted to use for my blog and I was working on a title, on what I wanted on the blog and how I wanted to organize it.  Two years!  I had not imagined that the blog would turn out to be a solid, strong endeavor, and include my other writing projects as well as the Perceval novels.  So where am I, as a writer, today?  What are my priorities?  What are my plans for the next two years?

The Blog Itself: Two years is a long time with one blog theme/layout, eh?  I’ve been looking at other themes in the last few weeks and trying to figure out what I want to do to tousle this blog’s hair, pump up the volume, and burnish its personality.  If all goes well, you’ll see some changes at some point in the next month or so.

The Perceval Novels: In March 2008, I put my work on the third novel in the series, Perceval in Love, on hold until I’d resolved some issues of everyday life that had intruded on my writing.  Those issues have been resolved, but a new one has arisen thanks to the tanked economy.  For the last two months, I’ve been looking for a job, and the search continues.  I think that I’ll probably not return to Book 3 until at least 6 months after I begin a job and have settled into a new routine and daily structure.  Any writer who also works a fulltime job knows the challenges of finding the time to write.  For me, the challenge is especially to find uninterrupted, quiet, solitary time for creative thinking.  I continue to write notes as ideas come to me, which they continue to do, thank god.

Marketing Perceval: I plan to continue my marketing efforts for Book 1, i.e. the search for a literary agent and/or publisher.  I recently received a rejection from the publisher I’d queried at the end of July.   I’ll mail another in the next week or two.

Short Stories: I’ve completed the first draft of a short story that had been banging around in my mind for the last year or so.  I have another short story in development.  So far, only these two stories cooking on the stove but I’d welcome more.  Shorter projects are easier to complete when time is limited.  I have revised The Shadow, the excerpt from Perceval, and will submit it to two contests, deadlines in October.

Essays: I submitted two different essays last month to two different publications.  The first draft of another essay is done.  I have ideas for at least two more essays, one longer than usual.  I will continue to work on this shorter form.

Other Nonfiction: I recently bought an accordion file in which to collect my notes for a memoir about money.  I’ve sketched out an outline, basically a Table of Contents, from which to work for now.  I’m sure once I begin writing notes, the rise of memories will gain momentum, and everything will change!

eHow.com: I have begun submitting articles to this website under the nom de plume “Fascinated.”

The last two years have been fun, and especially fun to meet other writers and readers here.  Thanks for visiting and come back again soon!  I’ll be here….