Rachmaninoff


Sergei Rachmaninoff’s music, whether for solo piano or full orchestra, sounds rich and passionate to me.  Listening to it this morning, a saying about performance popped into my head: if the performer is more interesting to watch than listening to the music, it’s not a musical performance.  My teachers allowed for movement, certainly.  But, extreme, vain or dramatic movement makes the performance more about the performer, not the music.  A performer is not there to distract but to play the music.

Listening to Rachmaninoff’s Second Symphony earlier today, my thoughts wandered to the question of why it’s not performed more often, then to visualizing a conductor conducting it.  Of all the romantic music in the world, this symphony is probably in the top ten.  To conduct it means to either go the schmaltzy, sentimental, freely interpretive route, or adhere strictly to the score.  Rachmaninoff’s music tends to be challenging to play, so I’d think this symphony would require a lot of work, both off and on the podium.  A conductor would be too busy, I should think, to indulge in any overly dramatic movements or to be thinking about himself in any way.

However…there is in conducting a certain amount of showmanship, specifically during concerts.  The conductor also has the unusual position of his/her back to the audience, and being alone on the podium.  There are no other musicians in his/her “section” to blend in with.  The best conductors I’ve seen generally use their showman position to guide the audience on their journey with the music.  It’s extremely rare to see a conductor conduct in an extremely overly dramatic way that calls way too much attention to him/her.  The best ones do try to “blend” into the action on stage so that the music seems to manifest into the world of matter. 

Now, I’d love to attend a concert with the Rachmaninoff Second Symphony on the program….

Advertisements

2 responses to “Rachmaninoff

  1. I have been to a concert at the San Francisco Symphony Orchestra to hear Rachmaninoff’s second symphony several years ago. It certainly is a masterpiece, and the melody alone is so intensely emotional it almost takes precedent over the technical difficulty that is obviously intertwined.

    I do tend to agree with you regarding showmanship, and how certain performers may have a tendency to get a little carried away. But… the most beautiful and purest music seems to control the performer when he performs because it is a revelation into his deepest soul. To some extent… I would say that the fluidity of the performer’s movement does not take away form the piece, but is merely an extension of it.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s