The Writer in the World


The_Power_of_Myth book cover

Years ago, Joseph Campbell and Bill Moyers riveted my attention with their series The Power of Myth.  I listened carefully to Campbell.  His love for his subject gave his words power and excited me.  He talked about “following your bliss” which is the same as your soul’s desire.  I knew that my bliss was writing stories, exploring the mysteries of the human condition and behavior through fiction.  Then in one segment, Campbell talked about artists and their position in a society, their role in passing on the stories of myth.  Especially writers whom he referred to as “shamans,” or holy people. Writers are the stewards of a culture’s myths.

Are writers today the shamans of our culture?  Who are our shamans, the stewards of our culture’s myths?  Do we even know anymore what our culture’s myths are? Do we care?

The word shaman conjures images of magic, indigenous people, mysterious rituals, fire and mist.  A shaman has access to the supernatural whereas traditional clergy of most of our religions are grounded in the physical world.  Our religious clergy have a hierarchy of power to which they adhere along with rules and regulations that govern each religion.  Shamans tend to be independent contractors who abide by the laws of the Universe, as they see it.  Magic often plays a prominent role in a shaman’s work.  We can easily imagine our traditional clergy as scholars and writers — many have been.  But could we imagine a shaman as a writer?

I believe this is an especially important question right now because of the social upheaval we’re seeing in our culture.  When I think about writer-shamans, the first name that pops into my head is John Lennon and his song Imagine.  In this song, Lennon focused more on imagining positive images after identifying what needs to be changed.  He kept it simple, giving the song power in its straightforward words.  Lennon understood that it wasn’t enough simply to identify what’s wrong.  It was necessary to use the imagination to create images of the positive changes that will replace what’s wrong.

For the life of me, though, I cannot think of any novelists or poets who I could elevate to shaman status.  Writers who explore social change have traditionally written in the science fiction and fantasy genre where they can set their stories on other planets or worlds to gain distance from earth’s readers and their sensitivities.  The last few years, dystopias and apocalyptic scenarios have dominated this genre to a certain degree.  Does that mean that we are expecting the worst?  Or does it mean that we need to be reminded even more to use our imaginations to imagine positive futures for ourselves?

Leibowitz coverI’ve just finished reading a novel written by a possible shaman: Walter M. Miller, Jr.  His novel was A Canticle for Leibowitz.  After a nuclear war that destroys earth as we know it, there’s a social backlash against political leaders and intellectuals, scientists and anyone else who was involved in creating the conditions that led to the war, and the knowledge involved.  But the physicist Leibowitz understands that someone needs to protect and preserve human knowledge for the future when people will be ready to learn it again.  The overall theme of this novel is the question: Can humans learn from their mistakes and not make the same mistakes again?  Miller explores how humans think, what’s important to people in the future, religion and spiritual influences (not always the same thing), and the social changes that occur over time.  I think this is the work of a shaman-writer because of the depth of the exploration, the hard questions Miller poses, and his honesty and integrity in telling the story.  It’s not as optimistic as I think writers would create now, but it thoroughly examines humanity and the issues we face now as well as the possible issues we’d face in the future.

Who else could be a writer-shaman in the present?  Are there any bestselling novelists who would qualify?

 

 

 

Advertisements

6 responses to “The Writer in the World

  1. Many novelists poets artists scientists are shamans in the best sense of the word in that when reading or learning their ‘philosophy’ them there is a re-cognition in the reader or the viewer and their soul is touched in some way. There’s a shift in perception. You or I could say that Joseph Campbell was a shaman .. Carl Jung was a shaman .. Hermann Hesse’s book The Glass Bead Game comes to mind and I know I could think of many more. Mr Nelson Mandela was a shaman – It’s an interesting question thank you

    • Susan, I had not thought about the interaction you describe — that’s true. When we read or look at art, listen to music, we are opening to what the art is and that touches us on multiple levels. You mentioned The Glass Bead Game, and I have this book in my personal library — maybe it’s time I read it! I’ve read Hesse’s Siddhartha multiple times. My concern is also what Matthew Wright brings up in his comment — there has been a shallowing of creativity. I see and sense it in the kinds of fiction that seems to make the bestseller lists and get all the attention now. For me, I want to be entertained but also challenged in my thinking whether by a novel, a movie, play or TV show. The possibilities are there, but are there the living “shamans” of today to step up and use these media to challenge humanity’s thinking, challenge humanity to imagine a better world for itself.

  2. I think the nature of a ‘writer/shaman’ is changing with the internet age; an era when – like it or not – there has been a shallowing; where, it seems, attention spans are falling and where at popular level the nature of what is regarded as ‘good’ or ‘provocative’ is falling into the cartoon. Look at the way we are barraged, for example, with CGI-heavy comic movies which, for the moment, appear to define popular entertainment. Publishing is falling into a similar situation with the explosion of self-pubbed books on Amazon and in other places – in which individual voices are drowned. So I do wonder: if there are voices such as Miller, or Bradbury, or Clarke (given that SF, typically, is all about sharp social commentary), would we hear them? I’d hope we would…but I just don’t know…

    • Matthew, you voice my main concern about writers today — that impulse to shallowness, to pure entertainment rather than the challenge to imagine a better world. And if they managed to be published, would their work get lost in the thousands of books published each year? How do we push for more?

  3. Excellent post and food for thought. I agree totally with your assertion that John Lennon was one of these voices. I’d even put forward that musicians with a message in their songs may do this more efficiently than novelists. I think this is because words and music of a song activate the imagination without setting up too much of a story premise. I suppose this is closer to the shamanic concept of chanting. The shamans take their people on a journey or at least interpret what they experienced. But shamans also were often the story-tellers as well. That’s the dual role and where today’s novelists fit in. Perhaps we simply re-invent something for each society to fill that need for myth and meaning. There is a really interesting book on the subject of popular song lyrics as activators for deeper meaning, a fictionalized tale along the lines of Richard Bach’s works. The book is called “The Gift of Gabe,” by Brian Joseph. I highly recommend it

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s