Hayao Miyazaki (from documentary “The Kingdom of Dreams and Madness”)
Life demands and a lack of money have prevented me from going out to movies very often in the last couple of years. I had to end my Netflix subscription also a year ago in order to save money. I hadn’t realized how much I missed movies until a co-worker and I got into a conversation about the brilliant Japanese animator Hayao Miyazaki. We’re both dedicated fans of his work, and my co-worker offered to loan me an early movie that Miyazaki had done the screenplay and storyboards for and I’d not seen. All he’d say about it was that it was sweet and wonderful, more grounded in reality than Miyazaki’s later work but with touches of magic. I jumped at the opportunity to see a Miyazaki movie I hadn’t seen before.
DVD from Disney
In Whisper of the Heart, Shizuku, a young teen, has reached the point when she’s begun to question the direction of her life and what her true talents are. She loves to read and her father works in a library which gives Shizuku easy access to lots of books. She notices that a boy, Seiji, has checked out all the books before her that she’s been reading. This strange fact sparks her curiosity and imagination. One day, as she’s on her way to the library on the train, a cat with one purple ear catches her attention. The cat jumps up onto the seat next to her and studiously ignores her attempts to befriend him. When the cat gets off the train at her stop, she runs after him, follows him up hills to a lovely residential neighborhood. True to cat behavior, he continues to ignore Shizuku, but seems to point the way to an intriguing antique store where she meets the elderly owner and The Baron, a cat figurine.
By this point, I’m totally hooked into this story, especially as Shizuku keeps running into a mysterious boy, Seiji, who turns out to be the grandson of the antique store’s owner. I don’t want to give away too much of this gentle story revealing the emotional lives of creative teens and how they help, support, and inspire each other. What I want to review about this movie is how Miyazaki reveals the life of the creative artist, and what the creative process is really like. For Shizuku is a budding writer, and Seiji a budding violin maker who can also play a mean violin.
Shizuku and the Cat (Studio Ghibli/Disney)
How does someone become creative? More specifically, how does someone become a creative artist? Every human being on this planet is creative in his or her own way. For example, problem solving requires creativity and imagination. Relating to each other successfully takes a lot of imagination (for empathy) and creativity. But when it comes to art, this is when the human mind and imagination fuse to bring forth truths of existence in ways that stimulate the imaginations of the people who are experiencing the art. As Miyazaki has done with Whisper of the Heart.
I believe that we are each born to certain lives but we each have the choice of whether to fulfill those particular lives or do something else. My father, for example, loved music and art — he played the clarinet and painted oil pictures — but he chose not to fulfill that creative spark; instead he chose to pursue a job in financial services. He allowed the powerful influence of American society to pursue “business” and the making of money to squash whatever creative inclinations he had. Fortunately for me, he supported my creative pursuits from my first forays in elementary school, but only up to a point. He notoriously said to me when I announced my music major in college, “You can’t eat a piano,” and when I told him and my mother that I’d finally recognized my creative spirit in writing, he responded with the pithy, “Writers are prostitutes.”
Shizuku and the Baron (Studio Ghibli/Disney)
Which brings me to the crux of Whisper of the Heart. Being a creative artist is extremely difficult even in the best of times or most supportive of conditions. Other people — family, friends, as well as strangers — will pressure the artist to do something more “practical,” to not pursue creative expression, and this pressure can be incredibly strong, often hurtful, and constant. It takes power and a belief in the strength of the soul’s desire to be creative in spite of the pressure not to be. And then there are the self doubts. Both Shizuku and Seiji eloquently show and tell others their doubts about their abilities and talents. But they keep going because they must. And that need is inspired and supported and sustained by each other as well as Seiji’s grandfather. (Not to mention the cat with one purple ear and The Baron!)
My favorite moment in this movie (in addition to the moment Shizuku meets the cat)? It’s when, after Seiji’s grandfather has read her story and told her that it’s a wonderful raw gem that now needs cutting and polishing, Shizuku bursts into tears, wailing that she doesn’t know if she can do it. Been there, done that! Many times. So, Whisper of the Heart is not only Miyazaki’s homage to the creative process, but the moving story of a young writer discovering her imagination and the creative process in writing.
I loved this movie! (It’s now on my Amazon wish list.) I highly recommend it to anyone interested in the creative process, in writing, in Japanese animation, or in the early work of Hayao Miyazaki to see how his creative expression was developing.