Tag Archives: Fiction

The Perceval Series — an Update

It’s been nine (9!!) years since I published Perceval’s Secret, the first novel in the Perceval series. Have you had a chance to read it? (smile) Before its publication, I had outlined the series for five novels, and the arc of Evan Quinn’s story over those five novels. The work on the remaining four novels has continued over the last nine years, even as I dealt with serious health issues (that often stopped the writing) and working fulltime at an office job. Nothing unique there. Most writers write when they can while earning a living at other things, raising a family, or, yes, dealing with serious health issues. I thought it about time to write a status update on the series as well as what I plan for the next year or so.

PERCEVAL’S GAME

I recently typed “The End” on the last page of the first draft of Perceval’s Game, the fourth novel in the series. This is a major accomplishment considering I wrote it only on weekends since July 2020. A year ago, I needed major surgery and did not write anything during my recovery, but I thought a lot about the series, the fourth novel in it, and amazed myself over and over thinking about my creative commitment to this project. But I don’t particularly want Evan Quinn showing up in my dreams and scaring me as he did years ago when I almost made him an auto mechanic! He is quite insistent about telling his story. As I was finishing the last chapter of the 4th novel, ideas for the 5th novel kept popping into my mind, including the first chapter. So, I need to do some “cleaning up” on PG and prep notes for the rewrite before doing some prep work for the 5th novel that will include notes, character list, concert programs for Evan, and making certain that I write down everything in my head before putting it away. The title of the 5th novel will be Perceval’s Choice. The novel’s locations will be Paris, France, and Vienna, Austria.

PERCEVAL’S SHADOW

The second novel in the series, Perceval’s Shadow, has been fermenting for at least five years. I cannot remember when I first put it in its oak barrel. My plan for at least the next year is to work on the third draft (I hope the last), have Beta readers read it, and then contract with a professional editor to go through it. I’m looking forward to spending time again with the characters in this novel, especially Pierre Levade. It would be especially lovely if it’d be ready for publication by March 2024. I plan to publish this novel as both an ebook and a paperback. And, while I’m at it, I’ll probably publish the paperback version of Perceval’s Secret as well. Launching the second novel will be a good time to launch the paperback of the first novel. What about audiobook versions? I’m still thinking about it.

PERCEVAL IN LOVE

I finished the first draft of the third novel in the series, Perceval in Love, set in Helsinki, Finland, Vienna Austria, and St. Petersburg, Russia, in June 2020. I remember at the time I was quite surprised that it did not end the way I’d been thinking of it ending from the moment I began it. But Evan Quinn had other ideas. That’s fine. It’s his story. It would make sense to write the second draft of this novel after publishing the second novel. I’ve put that in my barrel of possibilities to ferment. I could also write the first draft of the 5th novel and finish the series (woo-hoo!). For the next year, it will remain fermenting in its barrel until ripe for work.

OTHER WRITING PROJECTS

Essays: I continue to write essays for various markets, although as I’ve pushed harder on the fiction, the nonfiction side of my writing life has slowed. I have no plans to stop writing essays.

Music Memoir: This nonfiction book, as I have been sketching it, will be a series of personal essays chronicling how music has affected my life. I’ve been writing notes on various essays for the last two years as well as looking at the structure. I’ll probably start writing when the essays are ready to burst out of me. In the meantime I’ve been thinking about resonant vibrations, “hearing” a composer’s musical voice for the first time, and how much I enjoy the impish side of Beethoven.

Once more with feeling – some notes about description

Roz Morris over at Nail Your Novel has written an excellent blog post about all the reasons description is a good thing in fiction. Thanks, Roz!

Reviews!

Oh, my! Was I ever surprised. A co-worker this past week made a comment to me about reviews for Perceval’s Secret at Amazon, but it didn’t register right away. When I finally checked Perceval’s Secret at Amazon, I was surprised to find three new reviews. Three! That may seem like nothing to most people, but these reviews came all on their own, without marketing on my part. And they’re good reviews.

I love hearing from readers. It would make me so happy to hear from more readers. I appreciate it takes time and thought to write a review as much as I appreciate hearing from readers.

So, if you’ve recently read Perceval’s Secret, please let me know by writing a review at Amazon and/or GoodReads.

Thank you, Readers!

Easy reading is hard writing –  why hard writing is worth it and how to do it

Roz Morris over at Nail Your Novel has shared some wisdom about writing — how hard it is to write what it is easy for readers to read. Take a look!

Thank you, Osmo

Osmo Vanska (courtesy HarrisonParrott)

In the summer of 2007 when I began research for the third Perceval novel, Perceval in Love, I developed research questions about Helsinki and Finland. The beginning of the third novel, I decided, would be in Helsinki, with a rustic side trip somewhere out in the country one weekend. I wondered if Osmo Vanska would be willing to help me. A native Finn, the Music Director of the Minnesota Orchestra had lived in Helsinki and performed with the Helsinki Philharmonic as their co-principal clarinetist. I asked my friend, Julie, who was the musicians’ personnel manager at the time, and she helped me arrange an interview with Osmo through his Executive Assistant. In preparation, I narrowed my Finland questions down to those I could not otherwise find through reading and websites, e.g. details that only someone who’d lived there would know. I also spent a lot of time researching Finlandia Hall in Helsinki where Evan Quinn would conduct. The internet can be an amazing research tool, but nothing like talking to a person who knows the place intimately.

I sent my list of questions the week before my scheduled interview to give Osmo an idea of what I needed. The day of the interview, I remained calm until I was approaching the stage door at Orchestra Hall in downtown Minneapolis. It doesn’t matter whom I’m interviewing, I am always nervous. I checked in at the stage door and since I already knew where the Conductor’s Suite was, I was sent on my way. Osmo’s Executive Assistant, Michael Pelton, was waiting for me, and ushered me into the office, introducing me.

Osmo came out from behind his desk, windows looking out on a portion of Peavey Plaza behind him, and extended his hand. I remember telling him that I’d just heard a recording he’d done on the clarinet, a clarinet quartet by Bernhard Crusell. I confessed that I’d not heard of the composer before, but that I’d loved the music and the performance. He was dressed for summer in casual khaki, olive green shirt and sandals. We settled on the white sofa facing the desk and I gave Osmo an idea of the Perceval series — the protagonist Evan Quinn who is a young orchestra conductor and music director of the Minneapolis State Symphony (formerly Minnesota Orchestra) — and that the third novel begins in Helsinki. I’m glad I sent him the questions the week before. He was totally prepared and full of lots of really good details and tidbits about Helsinki, Finlandia Hall, the countryside in Finland. I knew already that Minnesota reminded him a lot of Finland, and hearing him describe Finland, I could understand why. He suggested places for Evan and his girlfriend to spend a weekend, to spend a romantic afternoon, hotels in Helsinki Evan would most likely stay at (with a side story about Sibelius and one particular hotel — I hadn’t known Sibelius liked to drink), places where Evan could run, the layout of Finlandia Hall and especially the conductor’s dressing room and if the stage door opened in or out.

Helsinki, Finland

I told Osmo about my 24-hour visit to Helsinki on my way to Russia (then Soviet Union) and my impressions of the city because I would be drawing on my own experience as well. We had talked for almost 50 minutes, and I’d requested only 30 minutes. I learned long ago, however, that if an interviewee wants to talk, let them. I was about to wrap it up, however, when Osmo interrupted me with a comment about concert programming. I had included Evan’s all Brahms programs with the Helsinki Philharmonic in the material I’d sent Osmo the week before. He told me that he could understand the reason I’d used the order of the symphonies that I had, but he said there was a more accepted order based on their timings. He then got up and retrieved a thick blue hardcover book that contained the timings of music performed on symphonic programs. I can see the book in my mind, but for the life of me, I can’t recall its title. Osmo showed me the timings and then rearranged the programs for Evan’s concerts. Osmo’s concern that I get the concert programming right surprised and moved me.

When I stood to leave, I had one last question, an important question for any interviewer to ask. Could I follow up with him if I had any additional questions? He nodded with a smile and said that I should work through his Executive Assistant, email him with any additional questions. As I left his office, I found a crowd of people waiting to talk to him — both musicians and staff. A few weeks later, as I began work on Perceval in Love, I had more questions for Osmo, this time how to say certain things in Finnish. He responded much faster than I expected, giving me exactly what I needed.

I completed the first draft of Perceval in Love in June 2020. When I look at the Finland chapters now, Osmo is everywhere. So I gave him a cameo appearance in the Finland chapters. Thank you, Osmo!

(courtesy Lisa-Marie Mazzucco)