What happens is I write a first sentence, then I read the sentence that I’ve just written, and then I immediately erase that sentence; then I begin anew by writing another first sentence for a completely different story; then another first sentence for another story, so on and so forth.” Courtney Eldridge, Unkempt
This week, Ideas have inundated my mind. Ideas for essays. Ideas for characters. Ideas for cleaning. Ideas for what to read. I experience no shortage of ideas. The challenge from Ideas is to lasso them, get them to stand still long enough for me to write them down. Writing first sentences can be that way, as Courtney Eldridge writes in the quote above. Also returning to a large writing project after several years.
It astonishes me that it’s been nine years since I’ve worked on Perceval’s Shadow or P2, the second novel in the Perceval series. A lot has happened during those nine years, of course, and I’m grateful that I captured so many of my ideas on paper nine years ago before moving on to P3, Perceval in Love. I had finished the first draft! I’d written a chapter by chapter synopsis! I had extensive notes on the characters and their motivations, as well as rewrite notes, and notes on what I needed to do during the first rewrite, i.e. research. The actual writing of the first draft is the easy part, true. What happens next, though, separates the real professional novelists from the amateurs.
The first step in re-entering Evan Quinn’s world to work on the P2 first revision is to read through all my notes. Write down any ideas that come to mind. Done.
The second step is to read through the first draft with pen and paper close by to make notes along the way. I’ve just begun this step. It’ll take me several weeks as I do this work when I’m not at the part-time job or doing other things for life. I’ll be looking at the structure first and foremost. Then the plot points. Then the story. The characters and their development. I’ll make a note of any questions I have about locations or anything else that I’ll need to research.
The third step is the actual revision work. Chapter by chapter, page by page, paragraph by paragraph, sentence by sentence, word by word. I won’t be paying as much attention to grammar, syntax, spelling, or word choice in this revision as I will the bigger issues of structure, character, plot and story. Dialogue, too, but I lump dialogue in with character. The overarching question for this revision is Does it all go together and make sense?
I’m excited. I’ve been thinking about this novel for a long time. My curiosity has finally won out — what did I write? Does it work? Is it exciting? What about the characters? Will I love it?
This process resembles the way Michelangelo worked on his sculptures, taking a huge chunk of marble and chipping away at it to find to form within. Then shaping that form in the marble, revealing the lines, curves, crevasses, shadows and surface textures emerging from the stone. It takes time. Patience. Dedication and obsession.
I hope I’m up to the task.